{"id":11436,"date":"2014-12-05T09:41:50","date_gmt":"2014-12-05T08:41:50","guid":{"rendered":"http:\/\/organum.e-marlie.com\/?page_id=11436"},"modified":"2022-04-21T15:00:24","modified_gmt":"2022-04-21T14:00:24","slug":"histoire","status":"publish","type":"page","link":"https:\/\/organumcirma.com\/en_GB\/a-propos\/histoire\/","title":{"rendered":"Histoire"},"content":{"rendered":"

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L’ensemble Organum<\/h1>\n

Depuis 40 ans, l’Ensemble Organum interpr\u00e8te des r\u00e9pertoires anciens majeurs pour l’\u00e9volution de la musique. Guid\u00e9 par les sciences de la m\u00e9moire,\u00a0 Organum construit ainsi une v\u00e9ritable histoire du chant sacr\u00e9.<\/p>\n

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Transmettre aux auditeurs une autre approche du pass\u00e9<\/h2>\n

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Fond\u00e9 en 1982 par Marcel P\u00e9r\u00e8s<\/a>, l\u2019ensemble Organum a abord\u00e9 la plupart des r\u00e9pertoires europ\u00e9ens qui ont marqu\u00e9 l\u2019\u00e9volution de la musique\u00a0 et des mentalit\u00e9s depuis le VIe si\u00e8cle.
\nL\u2019ensemble Organum invite ses auditeurs \u00e0 une autre approche du pass\u00e9, en situant la red\u00e9couverte et la r\u00e9-actualisation des musiques anciennes au c\u0153ur de grands courants socioculturels et spirituels du monde contemporain.<\/p>\n

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Jouer un r\u00f4le d\u00e9terminant dans le renouveau des musiques anciennes<\/h2>\n

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Chant corse, chant byzantin, Samaa marocain<\/h4>\n

Permanences esth\u00e9tiques m\u00e9di\u00e9vales au XXe<\/sup><\/h3>\n

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Organum, d\u00e9veloppe avec le CIRMA<\/a> des programmes de recherche sur l’interpr\u00e9tation.\u00a0 Les r\u00e9pertoires sortis de l’usage sont mis en perspective avec des esth\u00e9tiques vocales ou instrumentales conserv\u00e9es par tradition orale. Cette approche permet de vivifier les musiques anciennes en leur insufflant des germes sonores de r\u00e9pertoires oubli\u00e9s dont seules quelques traces \u00e9crites demeurent.
\nUne attention particuli\u00e8re, port\u00e9e aux trois derniers si\u00e8cles du deuxi\u00e8me mill\u00e9naire, permet de d\u00e9celer la pr\u00e9sence de permanences esth\u00e9tiques m\u00e9di\u00e9vales, dans certains milieux, parfois jusqu’\u00e0 l’extr\u00eame limite du XX<\/span>e<\/sup> si\u00e8cle<\/p>\n

<\/h3>\n

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Les hommes et les femmes d’Organum<\/h4>\n

Une structure souple et tr\u00e8s active<\/h3>\n

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Autour d’un noyau dur de chanteurs ou de chanteuses, dont certains collaborent avec Organum depuis plus de trente ans, la structure souple de l\u2019ensemble fait appel, selon les r\u00e9pertoires, \u00e0 des chanteurs et chanteuses issus de pays et de milieux tr\u00e8s diversifi\u00e9s, mettant en valeur les traditions orales musicales propres \u00e0 chaque r\u00e9gion et pays.<\/p>\n

La quarantaine de disques r\u00e9alis\u00e9s par l’ensemble Organum a remis en lumi\u00e8re des monuments qui souvent r\u00e9v\u00e8lent une face cach\u00e9e de l’histoire de la musique.
\nLa plupart des r\u00e9pertoires monodiques et polyphoniques, des premiers temps du christianisme jusqu’au XVIIIe<\/sup> si\u00e8cle, ont \u00e9t\u00e9 \u00e9tudi\u00e9s et les plus d\u00e9terminants ont fait l’objet d’enregistrement.<\/p>\n

[\/spb_text_block] [spb_button button_text=”Voir nos r\u00e9pertoires” button_size=”large” button_colour=”transparent-dark” button_type=”standard” rounded=”no” button_dropshadow=”no” button_link=”https:\/\/organumcirma.com\/a-propos\/repertoires\/” button_target=”_self” align=”center” animation=”none” animation_delay=”0″ el_class=”.bouton” width=”1\/1″ el_position=”first last”] [\/spb_column] [\/spb_row] [spb_row element_name=”Row” wrap_type=”full-width-contained” row_bg_type=”color” row_bg_color=”#480036″ color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”standard” bg_video_loop=”yes” parallax_video_height=”window-height” row_top_style=”none” row_bottom_style=”none” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”yes” row_col_spacing=”0″ row_col_pos=”default” row_col_equal_heights=”no” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ minimize_row=”no” simplified_controls=”yes” custom_css_percentage=”no” custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/1″ el_position=”first last”] [spb_boxed_content type=”coloured” custom_text_colour=”#ffffff” box_link_target=”_self” padding_vertical=”0″ padding_horizontal=”0″ width=”1\/1″ el_position=”first last”]<\/p>\n

Depuis 1982, l\u2019ensemble Organum construit une v\u00e9ritable histoire du chant sacr\u00e9<\/span><\/h2>\n

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Au travers de ces chants, Organum retrace et synth\u00e9tise une histoire des courants spirituels des civilisations qui ont fleuri autour du bassin m\u00e9diterran\u00e9en et rayonn\u00e8rent \u00e0 l\u2019Est et \u00e0 l\u2019Ouest de l\u2019Europe<\/span><\/h3>\n

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Une approche entre culture et patrimoine<\/h2>\n

[\/spb_text_block] [\/spb_column] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_color=”#f4f4f4″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”2″ col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”first”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”12″ padding_horizontal=”12″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;padding-top: 12px;padding-left: 12px;padding-right: 12px;padding-bottom: 12px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n

Depuis 1984<\/h4>\n

En r\u00e9sidence dans de prestigieuses abbayes fran\u00e7aises<\/h3>\n

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Depuis sa cr\u00e9ation, l\u2019ensemble Organum est accueilli par de hauts lieux du patrimoine culturel fran\u00e7ais :
\n\u2022\u00a0\u00a0 \u00a0l\u2019Abbaye de S\u00e9nanque \u00e0 sa cr\u00e9ation
\n\u2022\u00a0\u00a0 \u00a0l\u2019Abbaye de Royaumont de 1984 \u00e0\u00a0 2000, o\u00f9 Marcel P\u00e9r\u00e8s fonda le CERIMM (Centre Europ\u00e9en de Recherche sur l’Interpr\u00e9tation\u00a0des Musiques M\u00e9di\u00e9vales)
\n\u2022\u00a0\u00a0 \u00a0l\u2019ancienne Abbaye de Moissac depuis 2001 avec la cr\u00e9ation d\u2019une nouvelle structure de recherche, le CIRMA (Centre Itin\u00e9rant de Recherche sur les Musiques anciennes).<\/p>\n

<\/h3>\n

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Concerts et enregistrements<\/h3>\n

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D\u00e9sireux de partager son approche des musiques anciennes avec les publics, l\u2019ensemble Organum joue un r\u00f4le majeur dans le renouveau des musiques anciennes depuis 30 ans, avec \u00e0 son actif :
\n\u2022\u00a0\u00a0\u00a0 Plus de 1 300 concerts et spectacles r\u00e9alis\u00e9s en Europe, sur le continent am\u00e9ricain, en Afrique et au Proche-Orient, dans des hauts lieux de liturgie
\n\u2022\u00a0\u00a0 \u00a0Une quarantaine de disques enregistr\u00e9s \u2013 dont la plupart ont re\u00e7u les plus hautes distinctions : Diapason d\u2019or, Classical Awards, Choc de l\u2019ann\u00e9e du Monde de la Musique
\n\u2022\u00a0\u00a0 \u00a0De fr\u00e9quentes participations \u00e0 des \u00e9missions de radio et de t\u00e9l\u00e9vision<\/p>\n

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[\/spb_text_block] [spb_button button_text=”Voir notre programmation annuelle…” button_size=”large” button_colour=”transparent-dark” button_type=”standard” rounded=”no” button_dropshadow=”no” button_link=”https:\/\/organumcirma.com\/evenements\/programmation-2017\/” button_target=”_self” align=”center” animation=”none” animation_delay=”0″ el_class=”.bouton” width=”1\/1″ el_position=”first last”] [\/spb_column] [\/spb_row] [spb_row element_name=”Row” wrap_type=”full-width-contained” row_bg_type=”color” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”standard” bg_video_loop=”yes” parallax_video_height=”window-height” row_top_style=”none” row_bottom_style=”none” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”yes” row_col_spacing=”0″ row_col_pos=”default” row_col_equal_heights=”yes” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ minimize_row=”no” simplified_controls=”yes” custom_css_percentage=”no” custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/1″ el_position=”first last”] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”3″ col_sm=”12″ padding_horizontal=”0″ width=”1\/1″ el_position=”first last”] [spb_text_block element_name=”Notre ligne directrice” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/2″ el_position=”first last”]<\/p>\n

Notre ligne directrice<\/h2>\n

[\/spb_text_block] [\/spb_column] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_color=”#f4f4f4″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”2″ col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”first”] [spb_text_block element_name=”Ouvrir de nouveaux horizons sonores” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”12″ padding_horizontal=”12″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;padding-top: 12px;padding-left: 12px;padding-right: 12px;padding-bottom: 12px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n

Ouvrir de nouveaux horizons sonores et retracer l\u2019histoire des courants spirituels n\u00e9s autour du bassin m\u00e9diterran\u00e9en<\/h3>\n
\n

De grands axes guident notre ensemble :<\/h4>\n
    \n
  • Explorer les r\u00e9pertoires m\u00e9di\u00e9vaux et les mettre en relation avec les traditions vivantes<\/li>\n
  • Susciter la cr\u00e9ation de musiques en phase avec ce patrimoine musical<\/li>\n
  • Ouvrir le public et les musiciens \u00e0 de nouveaux horizons musicaux, p\u00e9dagogiques et culturels<\/li>\n
  • Cr\u00e9er les outils d’un r\u00e9investissement des musiques m\u00e9di\u00e9vales (\u00e9ditions, partenariats p\u00e9dagogiques, r\u00e9seaux de diffusion)<\/li>\n<\/ul>\n<\/div>\n

    [\/spb_text_block] [\/spb_column] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”0″ col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”last”] [spb_image image=”11359″ image_size=”full” frame=”noframe” caption=”Ensemble Organum \u2013 Varsovie 2012 \u00a9 K. Kuczyk” caption_pos=”hover” remove_rounded=”yes” fullwidth=”no” overflow_mode=”none” link_target=”_self” lightbox=”no” intro_animation=”none” animation_delay=”200″ width=”1\/1″ el_position=”first last”][\/spb_image] [\/spb_column] [\/spb_row] [spb_row element_name=”Row” wrap_type=”full-width-contained” row_bg_type=”color” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”standard” bg_video_loop=”yes” parallax_video_height=”window-height” row_top_style=”none” row_bottom_style=”none” parallax_video_overlay=”color” row_overlay_opacity=”0″ remove_element_spacing=”yes” row_col_spacing=”0″ row_col_pos=”default” row_col_equal_heights=”yes” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ minimize_row=”no” simplified_controls=”yes” custom_css_percentage=”no” custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/1″ el_position=”first last”] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_color=”#c3c3c3″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”0″ col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”first”] [spb_text_block element_name=”Discographie” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n

    Discographie<\/h3>\n

     <\/p>\n

    [\/spb_text_block] [spb_text_block element_name=”du VI\u00e8me si\u00e8cle \u00e0 nos jours” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”12″ padding_horizontal=”12″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;padding-top: 12px;padding-left: 12px;padding-right: 12px;padding-bottom: 12px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n

    du VI\u00e8me si\u00e8cle \u00e0 nos jours<\/h4>\n

    Une quarantaine d’enregistrements retrace notre travail d’interpr\u00e9tation<\/p>\n

    [\/spb_text_block] [spb_button button_text=”Voir notre discographie” button_size=”standard” button_colour=”transparent-dark” button_type=”standard” rounded=”no” button_dropshadow=”no” button_link=”https:\/\/organumcirma.com\/boutique\/albums-cd\/” button_target=”_self” align=”center” animation=”none” animation_delay=”0″ el_class=”.bouton” width=”1\/1″ el_position=”first last”] [\/spb_column] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_color=”#f4f4f4″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”4″ col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n

    Notre dernier album<\/h4>\n

    Lux Perpetua<\/h5>\n

    “Les m\u00e9lodies du plain chant, constamment pr\u00e9sentes, cisel\u00e9es par la chair vive de la texture polyphonique, flamboient, rayonnent et r\u00e9v\u00e8lent l\u2019\u00e9nergie interne, qui, transper\u00e7ant les si\u00e8cles, fa\u00e7onne le d\u00e9ploiement du temps.”\u00a0 Outhere<\/p><\/blockquote>\n

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