{"id":12336,"date":"2015-03-05T10:35:59","date_gmt":"2015-03-05T09:35:59","guid":{"rendered":"http:\/\/organum.e-marlie.com\/?page_id=12336"},"modified":"2016-12-14T09:21:09","modified_gmt":"2016-12-14T08:21:09","slug":"le-choeur-du-cirma","status":"publish","type":"page","link":"https:\/\/organumcirma.com\/en_GB\/pedagogie\/le-choeur-du-cirma\/","title":{"rendered":"Le choeur du CIRMA"},"content":{"rendered":"

[spb_row element_name=”Row” wrap_type=”content-width” row_bg_type=”color” row_bg_color=”#91435c” color_row_height=”content-height” bg_image=”11371″ bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”0.5″ bg_video_loop=”yes” parallax_video_height=”window-height” parallax_video_overlay=”color” row_overlay_opacity=”0″ remove_element_spacing=”yes” row_col_pos=”default” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ width=”1\/1″ el_position=”first last”] [spb_column col_sm=”6″ col_animation=”none” col_animation_delay=”0″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”0″ col_vertical_offset=”0″ col_horizontal_offset=”0″ col_custom_zindex=”0″ simplified_controls=”yes” custom_css_percentage=”yes” padding_vertical=”4″ padding_horizontal=”4″ margin_vertical=”0″ custom_css=”margin-top: 0%;margin-bottom: 0%;padding-top: 4%;padding-left: 4%;padding-right: 4%;padding-bottom: 4%;” border_styling_global=”default” width=”1\/2″ el_position=”first”] [spb_text_block element_name=”Le ch\u0153ur du CIRMA” animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” el_class=”.white-style” width=”1\/1″ el_position=”first last”]<\/p>\n

Le ch\u0153ur du CIRMA<\/h1>\n

Nos \u00e9tudiants vous font d\u00e9couvrir la musique ancienne<\/h2>\n

Cet ensemble vocal est constitu\u00e9 par les \u00e9tudiants – venus des quatre coins de la plan\u00e8te – qui participent aux diff\u00e9rentes sessions de formation propos\u00e9es par le CIRMA. Dirig\u00e9 par Marcel P\u00e9r\u00e8s, il donne r\u00e9guli\u00e8rement des concerts dans le Sud-Ouest de la France, notamment lors des Diagonales de Moissac<\/a>.<\/p>\n

[\/spb_text_block] [\/spb_column] [spb_column col_sm=”6″ col_animation=”none” col_animation_delay=”0″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”0″ padding_horizontal=”0″ width=”1\/2″ el_position=”last”] [spb_image image=”13027″ image_size=”full” frame=”noframe” caption=”Choeur du CIRMA – Abbatiale de Moissac 2010 \u00a9 B.AlyBeril” caption_pos=”hover” remove_rounded=”yes” fullwidth=”yes” overflow_mode=”none” link_target=”_self” lightbox=”no” intro_animation=”none” animation_delay=”200″ width=”1\/1″ el_position=”first last”][\/spb_image] [\/spb_column] [spb_promo_bar promo_bar_text=”Vous souhaitez participer \u00e0 nos prochaines sessions?” display_type=”promo-button” promo_bar_text_size=”impact-text” btn_text=”VOIR LE PROGRAMME DES STAGES A VENIR” btn_color=”transparent-light” btn_type=”standard” href=”https:\/\/organumcirma.com\/pedagogie\/stages-adultes\/” target=”_self” bg_color=”#e46764″ text_color=”#ffffff” page_align=”no” fullwidth=”yes” width=”1\/1″ el_position=”first last”]<\/p>\n

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Une structure ouverte \u00e0 tous<\/h2>\n

Exp\u00e9rimenter concr\u00e8tement les r\u00e9pertoires anciens<\/h3>\n

Le ch\u0153ur du CIRMA est une structure ouverte \u00e0 tous, destin\u00e9e \u00e0 offrir au plus grand nombre un acc\u00e8s concret \u00e0 une pratique r\u00e9elle des r\u00e9pertoires anciens peu, ou pas du tout enseign\u00e9s<\/strong> dans les institutions comme les conservatoires, les universit\u00e9s ou les diff\u00e9rents ch\u0153urs amateurs ou professionnels.<\/p>\n

Nous ne pratiquons pas de s\u00e9lection \u00e0 l\u2019entr\u00e9e de ces sessions de chant. Celle-ci se fait d’elle m\u00eame : chacun d\u00e9couvre et explore la relation personnelle qui se cr\u00e9e entre son propre parcours et ce que r\u00e9v\u00e8le le r\u00e9pertoire \u00e9tudi\u00e9 ; chacun \u00e9tudie selon son propre rythme. Certains participants suivent les sessions depuis plusieurs ann\u00e9es et approfondissent ainsi une approche globale des musiques anciennes, en conjuguant l’apprentissage de r\u00e9pertoires port\u00e9s par une tradition vivante<\/strong> (Chant corse, Byzantin, Pyr\u00e9n\u00e9en, Italie du Sud) avec des r\u00e9pertoires oubli\u00e9s<\/strong> (chant romain, mozarabe, b\u00e9n\u00e9ventain, gallican) ou bien mal connu et peu pratiqu\u00e9s : polyphonies et monodies romanes, gothiques, Renaissance.<\/p>\n

Des sessions cycliques pour approfondir les r\u00e9pertoires<\/h3>\n

Le caract\u00e8re cyclique des sessions permet d’approfondir un r\u00e9pertoire ou une \u0153uvre particuli\u00e8re pendant plusieurs ann\u00e9es. Ainsi, les offices de Saint Jacques du Codex Calixtinus<\/a> sont enseign\u00e9s tous les ans depuis 2001. L’\u0153uvre musicale d’Hildegarde de Bingen <\/a>est enseign\u00e9e \u00e9galement chaque ann\u00e9e au printemps depuis 2013 et le sera pendant encore longtemps. Le requiem de Divitis fut enseign\u00e9 pendant quatre ans, la messe de Machaut pendant trois ans et le Occo Codex (manuscrit polyphonique, d\u00e9but du XVIe si\u00e8cle) pendant six ans.<\/p>\n

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[icon image=”fa-quote-left” character=”” size=”small” cont=”no” float=”left” color=””]Le ch\u0153ur du CIRMA exprime avec confiance que les musiques dites anciennes sont bien une nourriture pour les hommes d’aujourd’hui et qu’elles renouvellent en profondeur la relation, au patrimoine, aux autres et \u00e0 soi-m\u00eame.<\/p>\n

Marcel P\u00e9r\u00e8s<\/p>\n<\/blockquote>\n

[\/spb_text_block] [\/spb_column] [spb_promo_bar promo_bar_text=”Vous souhaitez participer \u00e0 nos prochaines sessions?” display_type=”promo-button” promo_bar_text_size=”impact-text” btn_text=”VOIR LE PROGRAMME DES STAGES A VENIR” btn_color=”transparent-light” btn_type=”standard” href=”https:\/\/organumcirma.com\/pedagogie\/stages-adultes\/” target=”_self” bg_color=”#e46764″ text_color=”#ffffff” page_align=”no” fullwidth=”yes” width=”1\/1″ el_position=”first last”]<\/p>\n

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Un laboratoire de mixit\u00e9 sociale et internationale<\/h2>\n

Des chanteurs aux profils vari\u00e9s<\/h3>\n

Le profil des chanteurs du ch\u0153ur du CIRMA refl\u00e8te la diversit\u00e9 des approches personnelles dans des r\u00e9pertoires qui restent en marge des structures de diffusion et de l’enseignement habituels<\/strong>. On y trouve des d\u00e9butant, mais aussi de grands professionnels, des enseignants, des musiciens qui souhaitent d\u00e9couvrir d’autres approches p\u00e9dagogiques et des mani\u00e8res inconnues de construire les architectures sonores, des jeunes, des enfants, des retrait\u00e9s.<\/p>\n

On vient participer \u00e0 nos projets d’un peu partout : les sessions d’\u00e9t\u00e9 rassemblent r\u00e9guli\u00e8rement des musiciens originaires d’une quinzaine de nationalit\u00e9s diff\u00e9rentes. Au-del\u00e0 de l\u2019aspect purement musical, qui permet \u00e0 ces musiciens de pratiquer des monuments de la musique difficilement accessible, ce ch\u0153ur agit comme un v\u00e9ritable laboratoire de mixit\u00e9 sociale et internationale.<\/p>\n

Professionnels ou amateurs, les \u00e9tudiants de chacune des sessions de chant participent \u00e0 des auditions de fin de stage. Ces moments de partage des r\u00e9pertoires appris aupr\u00e8s des plus grands ma\u00eetres avec le public, engendre un d\u00e9passement de soi, des sentiments de paix et de pl\u00e9nitude inoubliables.<\/p>\n

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Prochains concerts du CIRMA<\/h2>\n

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