[spb_row element_name=”Row” wrap_type=”content-width” row_bg_type=”color” row_bg_color=”#91435c” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”0.5″ bg_video_loop=”yes” parallax_video_height=”window-height” parallax_video_overlay=”color” row_overlay_opacity=”0″ remove_element_spacing=”yes” row_col_pos=”default” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ width=”1\/1″ el_position=”first last”] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”0″ col_vertical_offset=”0″ col_horizontal_offset=”0″ col_custom_zindex=”0″ col_sm=”6″ simplified_controls=”yes” custom_css_percentage=”yes” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0%;margin-bottom: 0%;” border_size=”0″ border_styling_global=”default” width=”1\/2″ el_position=”first”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”40″ padding_horizontal=”96″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;padding-top: 40px;padding-left: 96px;padding-right: 96px;padding-bottom: 40px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n
L’ensemble Organum tisse des programmes qui offrent aux publics une approche privil\u00e9gi\u00e9e de quelques uns des grands courants qui \u00e9difi\u00e8rent la civilisation occidentale dans sa relation au monde antique, \u00e0 ses d\u00e9couvertes et aux civilisations qui fleurirent autour de la M\u00e9diterran\u00e9e.<\/span><\/p>\n Chacun de nos programmes peut faire l’objet, de conf\u00e9rences, colloques, de sessions d’\u00e9tudes, de stages de chant ou de s\u00e9minaires.<\/span><\/p>\n [\/spb_text_block] [\/spb_column] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”0″ col_vertical_offset=”0″ col_horizontal_offset=”0″ col_custom_zindex=”0″ col_sm=”6″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”400″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/2″ el_position=”last”] [spb_image image=”13707″ image_size=”full” frame=”noframe” caption=”Ensemble Organum \u2013 La R\u00e9ole 2012 \u00a9 H.Pouyfourcat” caption_pos=”hover” remove_rounded=”yes” fullwidth=”yes” overflow_mode=”none” el_class=”mb0 pb0″ link_target=”_self” lightbox=”no” intro_animation=”fade-in” animation_delay=”200″ width=”1\/1″ el_position=”first last”][\/spb_image] [\/spb_column] [\/spb_row] [spb_row element_name=”Row” wrap_type=”content-width” row_bg_type=”color” row_bg_color=”#f4f4f4″ color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”0.5″ bg_video_loop=”yes” parallax_video_height=”window-height” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”yes” row_col_pos=”default” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n [\/spb_text_block] [spb_portfolio display_type=”standard” multi_size_ratio=”1\/1″ fullwidth=”yes” gutters=”no” columns=”5″ show_title=”yes” show_subtitle=”no” show_excerpt=”yes” hover_show_excerpt=”yes” excerpt_length=”20″ item_count=”40″ category=”All” order_by=”title” order=”DESC” portfolio_filter=”yes” pagination=”no” button_enabled=”no” width=”1\/1″ el_position=”first last”] [\/spb_row] [spb_row element_name=”Row” wrap_type=”content-width” row_bg_type=”color” row_bg_color=”#ffffff” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”0.5″ bg_video_loop=”yes” parallax_video_height=”window-height” parallax_video_overlay=”color” row_overlay_opacity=”0″ remove_element_spacing=”yes” row_col_pos=”default” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ width=”1\/1″ el_position=”first last”] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”0″ col_sm=”12″ padding_horizontal=”0″ width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n [\/spb_text_block] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”4″ padding_horizontal=”0″ margin_vertical=”0″ border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n [\/spb_text_block] [spb_toggle title=”Rome et Byzance : VIe – XIIe si\u00e8cles” open=”false” width=”1\/1″ el_position=”first last”]<\/p>\n [\/spb_toggle] [spb_toggle title=”Arc m\u00e9diterran\u00e9en occidental : mondes latins, grecs et l’islam : XIe – XXe” open=”false” width=”1\/1″ el_position=”first last”]<\/p>\n [\/spb_toggle] [spb_toggle title=”Ouest de l’Europe: VIe – XXe si\u00e8cles” open=”false” width=”1\/1″ el_position=”first last”]<\/p>\n L’office de la Cons\u00e9cration d’un sanctuaire<\/a> Polyphonies et monodies romanes. Plusieurs programmes parcourent l’immense production monodique et polyphonique de cette \u00e9poque en particulier :<\/p>\n Les offices de Saint Jacques de Compostelle : Codex Calixtinus<\/a> \u00c9cole de Notre-Dame de Paris<\/a> Missa gotica, messe pontificale, Avignon XIVe si\u00e8cle<\/a> Anthonius Divitis : Requiem d’Anne de Bretagne<\/a> Manuscrit de Saint Louis des Invalides : V\u00eapres de Saint-Louis (avec orgue altern\u00e9)<\/a><\/p>\n Chant corse : Manuscrits franciscains<\/a> Mysteria Apocalypsis, \u0153uvre de Marcel P\u00e9r\u00e8s (2000)<\/a> [\/spb_toggle] [\/spb_column] [\/spb_row] [spb_row element_name=”Row” wrap_type=”content-width” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”0.5″ bg_video_loop=”yes” parallax_video_height=”window-height” parallax_video_overlay=”none” row_overlay_opacity=”0″ row_col_pos=”default” width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”3″ padding_horizontal=”0″ margin_vertical=”0″ border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n [\/spb_text_block] [spb_column col_animation=”none” col_animation_delay=”0″ col_bg_color=”#f4f4f4″ col_bg_type=”cover” col_parallax_image_movement=”fixed” col_parallax_image_speed=”0.5″ col_padding=”2″ col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”first”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”2″ padding_horizontal=”0″ margin_vertical=”0″ border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n [\/spb_text_block] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ border_size=”0″ border_styling_global=”default” el_class=”.rubrique-description” width=”1\/1″ el_position=”first last”]<\/p>\n Nous faisons revivre ainsi, l’espace d’une c\u00e9l\u00e9bration, les chants et les harmonies qui sommeillent sous les cendres de l’oubli, de l’indiff\u00e9rence ou de l’ignorance mais qui a tout moment peuvent jaillir \u00e0 nouveau dans l’espace et le temps et illuminer la conscience d’\u00eatre le maillon d’une \u00e9pop\u00e9e dont nous pouvons tous \u00eatre le relais.<\/p>\n [\/spb_text_block] [spb_blank_spacer height=”30px” responsive_vis=”hidden-xs” width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ border_size=”0″ border_styling_global=”default” el_class=”.rubrique-description” width=”1\/1″ el_position=”first last”]<\/p>\n <\/p>\n [\/spb_text_block] [\/spb_column] [spb_column col_sm=”6″ padding_horizontal=”0″ width=”1\/2″ el_position=”last”] [spb_image image=”12639″ image_size=”full” frame=”noframe” caption=”Ensemble Organum – Varsovie 2012 \u00a9 K.Kuczyk” caption_pos=”hover” remove_rounded=”yes” fullwidth=”yes” overflow_mode=”none” link_target=”_self” lightbox=”no” intro_animation=”none” animation_delay=”200″ width=”1\/1″ el_position=”first last”][\/spb_image] [spb_image image=”13148″ image_size=”full” frame=”noframe” caption=”Ensemble Organum – Varsovie 2012 \u00a9 K.Kuczyk” caption_pos=”hover” remove_rounded=”yes” fullwidth=”yes” overflow_mode=”none” link_target=”_self” lightbox=”no” intro_animation=”none” animation_delay=”200″ width=”1\/1″ el_position=”first last”][\/spb_image] [spb_image image=”11346″ image_size=”full” frame=”noframe” caption=”Ensemble Organum – Varsovie 2012 \u00a9 K.Kuczyk” caption_pos=”hover” remove_rounded=”yes” fullwidth=”yes” overflow_mode=”none” link_target=”_self” lightbox=”no” intro_animation=”none” animation_delay=”200″ width=”1\/1″ el_position=”first last”][\/spb_image] [\/spb_column] [\/spb_row] [spb_row element_name=”Row” wrap_type=”content-width” row_bg_type=”color” row_bg_color=”#91435c” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”0.5″ bg_video_loop=”yes” parallax_video_height=”window-height” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”yes” row_col_pos=”default” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ border_size=”0″ border_styling_global=”default” el_class=”.white-style” width=”3\/4″ el_position=”first last”]<\/p>\n D’autres programmes sont possibles :<\/p>\n <\/p>\n [\/spb_text_block] [\/spb_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [spb_row element_name=”Row” wrap_type=”content-width” row_bg_type=”color” row_bg_color=”#91435c” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”0.5″ bg_video_loop=”yes” parallax_video_height=”window-height” parallax_video_overlay=”color” row_overlay_opacity=”0″ remove_element_spacing=”yes” row_col_pos=”default” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ width=”1\/1″ el_position=”first last”] [spb_column col_animation=”none” col_animation_delay=”0″…<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":11131,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"class_list":["post-18541","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/pages\/18541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/comments?post=18541"}],"version-history":[{"count":8,"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/pages\/18541\/revisions"}],"predecessor-version":[{"id":18546,"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/pages\/18541\/revisions\/18546"}],"up":[{"embeddable":true,"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/pages\/11131"}],"wp:attachment":[{"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/media?parent=18541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Parcourez nos r\u00e9pertoires en images<\/h3>\n
Notre r\u00e9pertoire retrace l’histoire du chant sacr\u00e9<\/h2>\n
Pour en savoir plus, consultez notre r\u00e9pertoire ici :<\/h3>\n
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XIe si\u00e8cle<\/h3>\n
\nLe chant de Moissac, charni\u00e8re entre le premier et le deuxi\u00e8me mill\u00e9naire<\/a>
\nLes envol\u00e9es lyriques d’un pape musicien : L\u00e9on IX 1002-1054<\/a><\/p>\nXIIe si\u00e8cle<\/h3>\n
\nPolyphonies aquitaines<\/a>
\nChant des Templiers (manuscrit du Saint S\u00e9pulcre de J\u00e9rusalem)<\/a>
\nChant cistercien<\/a>
\nHildegarde de Bingen<\/a>
\nOffices de la Transfiguration de Pierre le V\u00e9n\u00e9rable<\/a><\/p>\nXIIIe si\u00e8cle : Les fondations de l’\u00e8re gothique<\/h3>\n
\nChant dominicain<\/a>
\nChant franciscain : Le Laudario di Cortona (myst\u00e8re mis en sc\u00e8ne)<\/a>
\nGraduel d’Ali\u00e9nor de Bretagne<\/a><\/p>\nXIVe si\u00e8cle : Le gothique flamboyant<\/h3>\n
\nGuillaume de Machaut : Messe de Notre-Dame<\/a>
\nJohannes Ockeghem : Requiem<\/a><\/p>\nXVIe si\u00e8cle : Les fruits du Moyen Age<\/h3>\n
\nChant mozarabe de la cath\u00e9drale de Tol\u00e8de<\/a>
\nChant mozarabe de la cath\u00e9drale de Tol\u00e8de avec orgue alternant des \u0153uvres de Antonio de Cabezon<\/a><\/p>\nXVIIe si\u00e8cle : Le grand si\u00e8cle et son plain-chant<\/h3>\n
XVIe – XVIIIe si\u00e8cles<\/h3>\n
\nLa face cach\u00e9e de la Renaissance : chant byzantin, Plain-chant renaissance, chant corse<\/a>
\nL’art de l’ornementation : Plain-chant et polyphonies corses, franques, chant byzantin<\/a><\/p>\nXXIe si\u00e8cles : Lorsque les utopies deviennent le miroir du temps<\/h3>\n
\nLe cr\u00e9puscule transfigur\u00e9, \u0153uvre de Marcel P\u00e9r\u00e8s sur des po\u00e9sies et des musiques moissagaises du XIe si\u00e8cle.<\/a><\/p>\nL’ensemble Organum est sp\u00e9cialis\u00e9 dans la c\u00e9l\u00e9bration d’\u00e9v\u00e8nements in\u00e9dits<\/h2>\n
C\u00e9l\u00e9bration par le chant<\/h4>\n
Centenaires ou des mill\u00e9naires d’un lieu, d’un personnage ou d’un manuscrit particulier<\/h3>\n
Quelques exemples de nos r\u00e9alisations :<\/h4>\n
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Vous \u00eates programmateurs ?<\/h2>\n
Contactez-nous pour mettre en place un programme adapt\u00e9 \u00e0 vos besoins<\/h3>\n
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