{"id":20529,"date":"2023-04-28T01:22:17","date_gmt":"2023-04-27T23:22:17","guid":{"rendered":"http:\/\/test-servicesinformatik82.com\/?page_id=20529"},"modified":"2025-11-19T19:40:42","modified_gmt":"2025-11-19T18:40:42","slug":"conferences-colloques-journees-detude","status":"publish","type":"page","link":"https:\/\/organumcirma.com\/en_GB\/conferences-colloques-journees-detude\/","title":{"rendered":"Conferences &#8211; Symposia &#8211; Studies days"},"content":{"rendered":"\n<p class=\"has-black-color has-text-color has-link-color has-medium-font-size wp-elements-1 wp-block-paragraph\"><strong>Colloques et conf\u00e9rences 2026-2025<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\"><strong>Rabat (Maroc)<\/strong> &#8211; Du 31 octobre au 1er novembre 2025 &#8211; Colloque musique, liturgie et interculturalit\u00e9 &#8211; <\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/558614779_1302877685214993_8102520030195534415_n.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"22473\" src=\"https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/558614779_1302877685214993_8102520030195534415_n-819x1024.jpg\" alt=\"\" class=\"wp-image-22473\" srcset=\"https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/558614779_1302877685214993_8102520030195534415_n-819x1024.jpg 819w, https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/558614779_1302877685214993_8102520030195534415_n-240x300.jpg 240w, https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/558614779_1302877685214993_8102520030195534415_n-768x960.jpg 768w, https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/558614779_1302877685214993_8102520030195534415_n.jpg 1080w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/572803092_1302881555214606_4445177815537451367_n.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"1024\" data-id=\"22474\" src=\"https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/572803092_1302881555214606_4445177815537451367_n-826x1024.jpg\" alt=\"\" class=\"wp-image-22474\" srcset=\"https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/572803092_1302881555214606_4445177815537451367_n-826x1024.jpg 826w, https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/572803092_1302881555214606_4445177815537451367_n-242x300.jpg 242w, https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/572803092_1302881555214606_4445177815537451367_n-768x952.jpg 768w, https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/572803092_1302881555214606_4445177815537451367_n.jpg 1089w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/574482516_1302881551881273_4746698931037895592_n.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"22475\" src=\"https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/574482516_1302881551881273_4746698931037895592_n-819x1024.jpg\" alt=\"\" class=\"wp-image-22475\" srcset=\"https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/574482516_1302881551881273_4746698931037895592_n-819x1024.jpg 819w, https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/574482516_1302881551881273_4746698931037895592_n-240x300.jpg 240w, https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/574482516_1302881551881273_4746698931037895592_n-768x960.jpg 768w, https:\/\/organumcirma.com\/wp-content\/uploads\/2025\/11\/574482516_1302881551881273_4746698931037895592_n.jpg 1080w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color has-medium-font-size wp-elements-3 wp-block-paragraph\"><strong>Colloques et conf\u00e9rences 2001 \u2013 2024<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\"><strong>2001<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-5 wp-block-paragraph\">Le Codex Calixtinus, 12<sup>\u00e8me<\/sup> si\u00e8cle, miroir d\u2019une Europe itin\u00e9rante <br>Le chant cistercien au 12<sup>\u00e8me<\/sup> si\u00e8cle &#8211; En partenariat avec l\u2019Abbaye de Flaran<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-6 wp-block-paragraph\"><strong>2002<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-7 wp-block-paragraph\">Premi\u00e8re \u00e9dition des Grandes Journ\u00e9es de l\u2019Improvisation dans les Musiques Anciennes<br>Sessions de chant et 1<sup>er<\/sup> Atelier de Codicologie<br>Le chant des \u00c9glises d\u2019Orient et d\u2019Occident \u00e0 l\u2019aube du 3<sup>\u00e8me<\/sup> mill\u00e9naire &#8211; En partenariat avec l\u2019Abbaye de Sylvan\u00e8s<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-8 wp-block-paragraph\"><strong>2003<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-9 wp-block-paragraph\">Le chant mozarabe de la cath\u00e9drale de Tol\u00e8de au 15<sup>\u00e8me<\/sup> si\u00e8cle et la Samaa marocain<br>Forum inter r\u00e9gional des ma\u00eetrises d\u2019enfants<br>Les chants en langue grecque dans les sources du sud-ouest de la France<br>Le continu et le discontinu dans la m\u00e9moire du chant religieux<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-10 wp-block-paragraph\"><strong>2004<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-11 wp-block-paragraph\">Partenariat avec Saint Jacques de Compostelle&nbsp;; s\u00e9rie de 24 concerts en une semaine du 24 au 31 juillet<br>Colloques&nbsp;:<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color has-small-font-size wp-elements-12 wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;-La circulation des savoir-faire sur le chemin de Saint Jacques<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8211; Les derniers t\u00e9moignages du chant mozarabe dans la p\u00e9ninsule ib\u00e9rique, avec les&nbsp;chantres de Andavias    (Zamora)<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-13 wp-block-paragraph\"><strong>2005<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-14 wp-block-paragraph\">Conf\u00e9rences&nbsp;: l\u2019Antiphonaire des Invalides (1682) &#8211; Le plain chant en France au 17<sup>\u00e8me<\/sup> si\u00e8cle<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-15 wp-block-paragraph\"><strong>2006<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-16 wp-block-paragraph\">Colloque&nbsp;: L\u2019axe polyphonique des Flandres \u00e0 l\u2019Espagne (15<sup>\u00e8me<\/sup> et 16<sup>\u00e8me<\/sup> si\u00e8cles)<br>S\u00e9rie de conf\u00e9rences et de stages entre Amsterdam et Moissac &#8211; En partenariat avec la Fondation Zomersang<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-17 wp-block-paragraph\"><strong>2007<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-18 wp-block-paragraph\">Cluny &#8211;&nbsp; Moissac&nbsp;: Les nouvelles probl\u00e9matiques historiographiques li\u00e9es aux r\u00e9seaux clunisiens<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-19 wp-block-paragraph\"><strong>2008<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-20 wp-block-paragraph\">L\u2019Apocalypse dans l\u2019imaginaire collectif. Colloque organis\u00e9e \u00e0 l\u2019occasion de la sortie du livre de Ren\u00e9 Girard et Benoit chantre&nbsp;: Achever Clausewitz.<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-21 wp-block-paragraph\"><strong>2009<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-22 wp-block-paragraph\">Les r\u00e9seaux eccl\u00e9siastiques du Quercy et la papaut\u00e9 avignonnaise<br>Inauguration des c\u00e9l\u00e9brations pour le 11<sup>\u00e8me<\/sup> centenaire de la cr\u00e9ation de Cluny<br>Les nouvelles probl\u00e9matiques clunisiennes<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-23 wp-block-paragraph\"><strong>2010<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-24 wp-block-paragraph\">La cr\u00e9ation des chemins de Saint-Jacques aux 11<sup>\u00e8me<\/sup> et 12<sup>\u00e8me<\/sup> si\u00e8cles<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-25 wp-block-paragraph\"><strong>2011<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-26 wp-block-paragraph\">Moissac, miroir des grands courants musicaux europ\u00e9ens aux 11<sup>\u00e8me<\/sup> et 12<sup>\u00e8me<\/sup> si\u00e8cle<br>Les repr\u00e9sentations musicales dans la sculpture m\u00e9di\u00e9vale.<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-27 wp-block-paragraph\"><strong>2012<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-28 wp-block-paragraph\">Musique et po\u00e9sie sur les chemins de Saint Jacques de Compostelle<br>Que peut \u00eatre un centre culturel de rencontre&nbsp;?<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-29 wp-block-paragraph\"><strong>2013<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-30 wp-block-paragraph\">Consacrer une \u00e9glise au 11<sup>\u00e8me<\/sup> si\u00e8cle, aspects rituels, politiques, esth\u00e9tiques<br>Hildegarde de Bingen et les lieux de la sacralit\u00e9&nbsp;: Espace \u2013 Vision &#8211; Audition<br>Une \u00e9glise dans la cit\u00e9 en partenariat avec l\u2019\u00c9v\u00each\u00e9 de Montauban<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-31 wp-block-paragraph\"><strong>2014<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-32 wp-block-paragraph\">Hildegarde de Bingen&nbsp;: Quel enseignement pour l\u2019homme d\u2019aujourd\u2019hui&nbsp;?<br>Le culte des d\u00e9funts au 15<sup>\u00e8me<\/sup> si\u00e8cle<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-33 wp-block-paragraph\"><strong>2015<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-34 wp-block-paragraph\">Hildegarde de Bingen&nbsp;: Quel enseignement pour l\u2019homme d\u2019aujourd\u2019hui&nbsp;?<br>Cluny et la F\u00e9d\u00e9ration des sites clunisiens<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-35 wp-block-paragraph\"><strong>2016<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-36 wp-block-paragraph\">Sur les pas de Hildegarde de Bingen&nbsp;: nutrition, m\u00e9decine, musique, spiritualit\u00e9.<br>A<em> l\u2019occasion du&nbsp;8<sup>\u00e8me<\/sup> centenaire de la cr\u00e9ation de l\u2019ordre dominicain<\/em>.<br>Le chant Dominicain dans l\u2019environnement culturel du 13<sup>\u00e8me<\/sup> si\u00e8cle &#8211; Un enseignement pour le monde contemporain.<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-37 wp-block-paragraph\"><strong>2017<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-38 wp-block-paragraph\">Hildegarde de Bingen&nbsp;: La Symphonie des Harmonies C\u00e9lestes<br>La musique grecque de l\u2019Antiquit\u00e9 au miroir des deux derniers mill\u00e9naires<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-39 wp-block-paragraph\"><strong>2018<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-40 wp-block-paragraph\">Hildegarde de Bingen&nbsp;: Son impact sur la culture contemporaine<br>La musique grecque de l\u2019Antiquit\u00e9 dans les t\u00e9moignages de l\u2019Antiquit\u00e9 tardive<br>Les rituels fun\u00e9raires \u00e0 l\u2019aube de la Renaissance.<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-41 wp-block-paragraph\"><strong>2019<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-42 wp-block-paragraph\">Les applications th\u00e9rapeutiques de la musique d\u2019Hildegarde de Bingen<br>Le r\u00f4le de Cluny dans la construction du culte des d\u00e9funts.<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-43 wp-block-paragraph\"><strong>2021<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-44 wp-block-paragraph\">La musique d\u2019Hildegarde de Bingen et ses d\u00e9clinaisons th\u00e9rapeutiques<br>Hildegarde de Bingen et les sources du savoir m\u00e9dicale de l\u2019Antiquit\u00e9 au Moyen-\u00c2ge<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-45 wp-block-paragraph\"><strong>2022<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-46 wp-block-paragraph\">Acoustique, chant et conscience dans la musique d\u2019Hildegarde<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-47 wp-block-paragraph\"><strong>2023<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-48 wp-block-paragraph\">Les Offices de Saint Foy de Conques &#8211; En partenariat avec l&#8217;Universit\u00e9 de Stanford (USA)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conferences and Symposia 2001 \u2013 2023 2001 The Codex Calixtinus, 12th century, a mirror of a travelling EuropeCistercian singing in the 12th century. In partnership&hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"default","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"class_list":["post-20529","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/pages\/20529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/comments?post=20529"}],"version-history":[{"count":9,"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/pages\/20529\/revisions"}],"predecessor-version":[{"id":22481,"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/pages\/20529\/revisions\/22481"}],"wp:attachment":[{"href":"https:\/\/organumcirma.com\/en_GB\/wp-json\/wp\/v2\/media?parent=20529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}