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Discographie
[icon image=”fa-quote-left” character=”” size=”small” cont=”no” float=”left” color=”7c1061″]La relation que l’on développe avec la musique enregistrée permet de mieux s’adapter aux choix esthétiques que nous explorons. Car il faut du temps pour découvrir un répertoire et s’adapter à des sonorités nouvelles. Le concert ne permet qu’une approche immédiate fortement tributaire du contexte: la manière dont on est assis, ce qu’on a fait immédiatement avant de s’asseoir, l’acoustique du lieu, son organisation spatiale, le parfum de la voisine. Il est souvent difficile dans ces conditions de se plonger dans une ambiance vieille de plusieurs siècles.
Marcel Pérès, Le Chant de la Mémoire (Ensemble Organum 1982-2002)
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Requiem d’Anne de Bretagne
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Missa Gotica
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Chant Vieux Romain
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Contemplation
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Le Chant des Templiers
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Vêpres de Saint-Louis
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Vêpres de Saint Jacques
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Vêpres du jour de Pâques
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Hildegard Von Bingen
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Messe de Machaut
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Laudario di Cortona
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Ecole Notre Dame
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Chant mozarabe
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Plain chant parisien
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Chants Corses
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Cathédrale de Benevento
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Requiem d’Ockeghem
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Aliénor de Bretagne
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Chant Cistercien
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Palestrina
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Messe de St Marcel
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Codex Faenza
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Messe de Tournai
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Pèlerins d’Emmaüs
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Carmina Burana
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Plain-chant Auxerre
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Chant église milanaise
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François Couperin
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Codex Chantilly
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Missa Pange Lingua
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Chant Eglise de Rome
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Messe du jour de Noël
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Polyphonie Aquitaine
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